For over three decades, the Dragon Ball franchise has transcended its origin as a weekly shōnen manga to become a global cultural lexicon. While critics often dismiss the series as a repetitive cycle of power-ups and screaming matches, this essay argues that such repetition is not a flaw but a feature—a deliberate narrative architecture best described as Mugen Kodaika (無限増幅化), or “Infinite Amplification.” This concept posits that Dragon Ball thrives not despite its endless escalation, but because of it. Through the cyclical destruction of limits, the transmutation of martial arts into cosmic philosophy, and the metatextual embrace of its own excess, Mugen Kodaika forms the series’ true philosophical core.