The conceit was flawless. Cronos was presented as the centerpiece of Ameisenhaufen’s "discovery": the skeletal remains of a mythical creature—a chimera—found near the Florida-Georgia border. The project, titled Fauna , included photographs of the excavation, X-rays, anatomical drawings, and, most famously, the "portrait" of the creature's only known specimen: Cronos.

Pere Formiguera’s (2000) is widely reviewed as a profound, wordless meditation on the passage of time, documented through 536 pages of black-and-white photography. The Project Concept

Formiguera had titled the series Cronos after the Greek god of time, the entity who devoured his own children. The series was meant to be brutal. But as Elias stared at the high-quality print, he saw something different.

High-resolution or gallery exhibitions of the subject progression.

Cronos displays restrained elegance. Its silhouette favors clean lines and geometric harmony, avoiding ornamentation while maintaining visual warmth. Proportions are deliberate: every angle and junction feels measured, creating a calm, cohesive presence that fits both modern and transitional interiors.

The of the paper and binding used in the 2000 ACTAR edition. Pere Formiguera - AbeBooks