The final act involves a cat-and-mouse game through the glass mansion where Adrienne ties Jack to a drafting table and forces him to listen to a tape loop of her crying. It’s uncomfortable, overlong, and ends with a literal cliff plunge.
If you wandered into the back aisle of a Blockbuster Video in 1994, past the New Releases and the Family section, you’d find it: a single cardboard standee featuring a torn piece of red silk and the tagline: “Hell hath no fury… like a woman you put on hold.”
Andrew Stevens, in addition to directing and co-writing, also plays the male lead—a classic example of low-budget filmmaking's “triple threat.”
The final act involves a cat-and-mouse game through the glass mansion where Adrienne ties Jack to a drafting table and forces him to listen to a tape loop of her crying. It’s uncomfortable, overlong, and ends with a literal cliff plunge.
If you wandered into the back aisle of a Blockbuster Video in 1994, past the New Releases and the Family section, you’d find it: a single cardboard standee featuring a torn piece of red silk and the tagline: “Hell hath no fury… like a woman you put on hold.”
Andrew Stevens, in addition to directing and co-writing, also plays the male lead—a classic example of low-budget filmmaking's “triple threat.”